ISBN-10: 0415093805
ISBN-13: 9780415093804
This one-volume Encyclopedia covers either the conceptual framework and heritage of translation. Organised alphabetically for ease of entry, a crew of specialists from world wide has been accrued jointly to supply distinct, new insights.
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This one-volume Encyclopedia covers either the conceptual framework and background of translation. Organised alphabetically for ease of entry, a crew of specialists from all over the world has been amassed jointly to supply distinctive, new insights.
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Extra info for Routledge Encyclopedia of Translation Studies
Example text
One of the most enlightening and memorable ways of transmitting culture within a country , or of transferring of it internationally , configurated corpora, whose is that constituent elements by is, stand means corpora in some relation to each other either in space (in a book , or an exhibition hall for example) or in time (in a series of arrangement, books or performances). The the configuration, creates a mean ing and value greater than the sum of meanings and values of the individual items taken in isolation, and translation anthologies are important manifestations of this phenomenon.
To do so would make our between the linguist and the informant: argument circular. So what other evidence might we rely on? According to Quine ( 1 960: 26), sensory For evidence. we might try ' surface irritations generate, through language, one's knowledge of the world. One is taught so to associate words with words and other stimulations that there emerges something recognizable as talk of things , and not to be distinguished from truth about the world ' . His project is to ' consider how much of language can be made sense of in terms of its stimulus conditions , and what scope this leaves for empirically unconditioned variation in one's conceptual scheme' (ibid.
Forster ( 1 970: 30-5) mentions the interesting case of Antwerp-born Having determined how two or more langu Jan van der Noot, whose Olympia ( 1 579) ages relate to each other, the trickiest question appeared in a bilingual edition, with French remains to be tackled: why do some writers and Dutch texts side by side, the latter a free repeat in a second language what has already rendering of what was already an ' imitation ' been said in their previous work? Dissatisfac of Pierre de Ronsard. The fact that these tion alone with existing translations hardly poems were explains a choice that, to some at least, seems mother tongue from models directly com as absurd as 'redoing a painting in a different posed in an acquired language shows how shade' (Devarrieux 1 993: 15).
Routledge Encyclopedia of Translation Studies
by Daniel
4.3