By Universidade da Beira Interior
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E. as having no ontological status apart from the various citational processes that constitute its reality. Performances become more meaningful and more authoritative as they are repeated “[P]erformativity . . is not a singular act, for it is always reiteration of a norm or set of norms, and to the extent that it acquires an act-like status. . it conceals or dissimulates the conventions of which it is a repetition” (Butler, 1993:12). This analysis shows the sense of place of old Porto and its ascribed social identity as a narrative constructed through performance, the latter possible to encompass a wide range of realities from the production and consumption of cultural productions on old Porto – namely film – , to lived practices of the place and the way the latter is narrated both discoursively and iconographically by specific social groups (Santos 2005).
Negativo de sonido internacional. Positivo COMOPT Fotografía: Angel Gómez Matesanz. XX e respectivas representações da cidade do Porto. Colocando a ênfase naquilo que é filmado e como é filmado, destacam-se os temas principais encontrados nessas produções da imagem da cidade e discute-se o papel do filme na construção de uma memória colectiva. Palavras-chaves: Filme, Porto, identidade social, narrativa, sistemas de representação, produções culturais. Resumen: A partir de una aproximación antropológica a la cultura material, este artículo considera la producción de películas y el consumo como parte de sistemas de representación y analiza la imagen de la ciudad de Porto según seis películas portuguesas del siglo XX.
Most of 16 Unrecognisable due to the rarity of such a view point for the normal human eye. The cinematographic representation of the city of Porto... 41 the scenes are filmed in wide-open spaces by the riverbank using long shots. 17 However, what is interesting is that these shots are almost all filmed on the Gaia, the south side of the Douro and not on Porto’s side, the north side. The camera therefore sets the action on Gaia but against the background of old Porto – the scenic and trademark picturesque hill slopes of the old part form the backdrop to the action: we are in Gaia, but we only see Porto, thus we are in Porto.
Doc On-line #2 by Universidade da Beira Interior