By William Blazek, Michael Glenday
Essays within the assortment diversity largely in contemplating those questions, from the influence of Muhammad Ali on Norman Mailer's writings approximately boxing to the interactions of delusion and reminiscence within the fictions of Jayne Anne Phillips to the conflicted portrayal of the yank West in Cormac McCarthy's novels. 4 essays within the assortment specialise in local American authors, together with Leslie Marmon Silko and Gerald Vizenor, whereas one other considers Louise Erdrich's novels within the context of Ojibwa myth.
By bringing jointly views on American stories from either Europe and the US, American Mythologies offers a transparent photo of the present country of the self-discipline whereas stating fruitful instructions for its future.
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Additional info for American Mythologies: Essays on Contemporary Literature (Liverpool University Press - Liverpool English Texts & Studies)
Their methods, the synthesizing of a history of ideas in order to arrive at a pivotal historical moment or theme, were similar to those learned from his mentor, Arthur O. Lovejoy. Savagism, in his text, is always already an idea, whereas civilization is always already the history that produces it. In his transition from primitive to savage, Pearce seems to be unaware of how the repetition of primitivism and savagism, through white representations, can (re)produce differing effects of harm: primitivism carries a Blazek_02_Ch1 19 25/4/05, 9:14 am 20 Betty Louise Bell nostalgia for a less urbane and artful world; savagism, as an insult to decency, is a justification for removal.
Robert A. Morace argues that Lipsha Morrissey ‘has the fullest and most diverse array of discourses from which to choose’ among the characters in The Bingo Palace, including Blazek_03_Ch2 31 25/4/05, 9:15 am 32 William Blazek popular references ranging from Jimi Hendrix songs to the Godfather films and books by Herman Melville, George Herbert and Henry Roth (Chavkin 55–56). It seems fair to say, as Dennis M. Walsh and Ann Braley conclude, that in The Beet Queen, with its caustic depictions of white, smalltown America, Ojibwe culture and values, though fragmented and hidden, ‘provide the most coherent meaning in a sugarbeet and supermarket wasteland’ (16).
21–35. Spivak, Gayatri. ‘Three Women’s Texts and a Critique of Imperialism’. 1 (1985): 243–61. Vizenor, Gerald. Landfill Meditation: Crossblood Stories. Hanover: Wesleyan Press, 1991. Wise, Gene. ‘“Paradigm Dramas” in American Studies: A Cultural and Institutional History of the Movement’. American Quarterly 31 (Bibliography Issue, 1979): 293–337. Blazek_02_Ch1 28 25/4/05, 9:14 am Love, Money and Mythic Identity in the Novels of Louise Erdrich 29 Chapter 2 RoleWild Hope: Love, Money and Mythic Identity in the Novels of Louise Erdrich1 William Blazek A Critical Overview: Transcultural Writing The importance of Ojibwe2 foundational myths in Louise Erdrich’s eight novels of what might still be called the ‘Love Medicine’3 series has been interpreted by critics with an increasing confidence and complexity that parallels the fiction’s own development.
American Mythologies: Essays on Contemporary Literature (Liverpool University Press - Liverpool English Texts & Studies) by William Blazek, Michael Glenday