By John F. Connors
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Additional resources for Albatros Fighters in action
Mesolithic cave painting at Morela la Vella, Spain, which is the earliest depiction of men fighting, c. C. From Irenaus Eibl-Eibesfeldt, Krieg and Frieden aus der Sicfit der Verfialtensforscftung © R. Piper GmbH & Co. KG, Munchen 1975, 1984. rnents of personal combat used prior to the invention of firearms were introduced during the hunting-and-gathering stage. Indeed, they made this way of life possible. The criticalness of arms to such an economy—an economy which, after all, provided the environment in which man reached his final form—raises a number of issues of primary importance.
It should not be overlooked. But ultimately weapons are about man, not animals. Though they may not be alien to the world of nature, they are primarily our own creation and our own dilemma. We must look to ourselves for answers. To do this, however, requires that we go to the source of the problem, that we approach as nearly as possible the point at which man first picked up a rock or stick with malicious intent. It is here, if anywhere, that the basic proposition should be most clearly outlined.
Undoubtedly, his success in these areas was based on a nexus of skills. Stealth, deception, relentlessness, and the ability to anticipate results all played a role. Yet it was weapons that made the killing possible. Although the weapon may not have been the first tool, it did mark mankind's first great success with tools. The realization that he could supplement his own Dialogue With the Sphinx * 21 Figure I. A band of early men (Homo habilis) drives rival predators from a newly fallen dinothere, c.
Albatros Fighters in action by John F. Connors