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By Tamar Chana Reich

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Extra info for A BATTLEFIELD OF A TEXT INNER TEXTUAL INTERPRETATION IN THE SANSKRIT MAHABHARATA

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18 indi vidual authorship and originality in composition are not the nonn~ notions of originality, closure and intentionality seem to have some force. , that as soon as he speaks, meaning begins to proliferate, to proliferate indefinitely. The truth is quite the contrary: the author is not an indefinite source of significations which fills a work; the author does not precede the work; he is a certain functional principle by which in our culture one limits, excludes and chooses; in short, by which one impedes the free circulation, the free manipulation, the free composition, decomposition and recomposition of fiction....

The part of the Parvan which describes the sacrifice itself involves mostly a description of the itinerary of the horse's wondering and quite a number of battle scenes .. but the greater bulk of the Parvan is concerned with speculations about the nature of sacrifice and a dhanna based on sacrifice. Precisely because of this juxtaposition of the sacrificial and the heroic, the Aivamedhika Parvan is a good place to approach the question of the Mahiibhiirata's unity or textual integrity. I contend that in the Aivamedhika Parvan, the impression of heterogeneity is a result of the deliberate juxtaposition of radically different discourses.

One of Sukthankar's best fonnulations is: To put it in other words, the Mahabharata is the whole o/the Epic tradition. the entire Critical Apparatus. Its separation into the constituted text and the critical notes is only a static representation of a constantly changing epic text ... 23 Sukthankar, of course, never recommended a simplistic use of the reconstructed text as a working tool. A cereful reading of the Introduction shows an ambivalence on Sukthankar's part. Elsewhere he claims that the reconstituted text is Hthe oldest fonn of the text which it is possible to reach on the basis of the manuscript material available.

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A BATTLEFIELD OF A TEXT INNER TEXTUAL INTERPRETATION IN THE SANSKRIT MAHABHARATA by Tamar Chana Reich


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